I am at a loss for words at how this turned out. Most of my paintings do not turn out at all decent, let alone good, but this is a rare case. The shading in the sky could have had a better, or larger, fading spectrum, but it has a better view this way. The sphinx could have been in perspective, but the view adds to the mysterious atmosphere of the painting. The sand is orange to create a view of a land ravaged by unbearable heat and plagued with mystery. The pyramid in the background could have been a better coloration, but it was the best in my color scheme that I was working with. The light source was created by a mysterious glow in the background (in this case, caused by the sun that is slowly setting in the distance). Organization was not a problem as I just followed the guide on the picture used as the guide(in this case, the sphinx with one of the pyramids behind it in the distance. I used an analogous color scheme, with blue and orange as the main colors. Atmospheric perspective uses angles directing toward a point, creating dimension. To achieve this, I directed the sphinx's hands one way but his body another, altering the dimensional perception. The fragmented brush strokes create a landscape damaged by time and erosion. Value was used to identify darker areas and lighter areas, as to create visual and spacial intensity (in the pyramids case) and variety.